Girl from the 905

Girl From the 905 is a genre-busting presentation from a powerhouse operatic team working within their usual roles, but completely outside the lines. A classical score that rattles alive with electronic textures, performed completely raw and unfiltered by a classical trained soprano, rooted in an auto-biographical story of women living between the lines in a multi-cultural family, who come to accept and love themselves for who they are.

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The second of the Villiers Quartet’s Late Schubert Series pairs the great Austrian composer’s ‘Death and the Maiden’ with three recent pieces by women composers. St Hilda's music student Ariana Pethard’s ‘The Dance of Persephone’ has been commissioned especially for this concert as a response to ‘Death and the Maiden’, with the composer playing the piano part. It's also a rare opportunity to hear Alisa Dixon's fascinating song cycle 'The Spirit of Love'; her strikingly dissonant harmonic language, reminiscent in places of Fauré, Bartók and Britten, is used to convey dark and conflicting emotions.

Program:

Vivian Fung, String Quartet No. 1 (2004)
Ariana Pethard, The Dance of Persephone for piano and string quartet (wp)
Alisa Dixon, The Spirit of Love — 3 Songs for soprano and string quartet (2020)
Schubert, String Quartet No. 14 in D minor, D. 810 (Death and the Maiden)

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Brass glory

Anna Duczmal-Mróz, conductor
Michael Sachs, trumpet

Program:
Fung, Earworms
Marsalis, Trumpet Concerto
Schumann, Symphony No. 2

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Brass glory

Anna Duczmal-Mróz, conductor
Michael Sachs, trumpet

Program:
Fung, Earworms
Marsalis, Trumpet Concerto
Schumann, Symphony No. 2

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favourite composers: Episode 2

With a great response from last season, Maestra Justo Valdés brings back Favourite Composers. In Episode 2 the orchestra plays Mozart, Haydn, and Ravel. VIS member Mark D’Angelo performs Vivian Fung’s Trumpet Concerto, a virtuosic tour-de-force displaying the capabilities of the Eb trumpet and flugelhorn.

Program:

Mozart, Nozze di Figaro Overture
Ravel, Le Tombeau de Couperin
Fung, Trumpet Concerto
Haydn, Symphony No. 88 in G Major

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Everything Is Green

The Looking Glass Ensemble is an interdisciplinary performance collective founded by clarinetist Christine Carter and dance artist Shannon Litzenberger. In collaboration with Canada’s trailblazing pianist Gregory Oh and award-winning cellist Vernon Regehr, “Everything is Green” pairs newly imagined interdisciplinary creations, including Randall Woolf’s breathtaking “Everything is Green” and Arvo Pärt’s equally exquisite “Spiegel im Spiegel,” with whimsical repertoire for the clarinet, cello, and piano trio combination by Ludwig von Beethoven and Vivian Fung.

Program

LUDWIG VAN BEETHOVEN: Trio in B-flat Major, Op. 11
ARVO PÄRT: Spiegel im Spiegel
RANDY WOOLF: Everything is Green
VIVIAN FUNG: The Billy Collins Suite

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Everything Is Green

The Looking Glass Ensemble is an interdisciplinary performance collective founded by clarinetist Christine Carter and dance artist Shannon Litzenberger. In collaboration with Canada’s trailblazing pianist Gregory Oh and award-winning cellist Vernon Regehr, “Everything is Green” pairs newly imagined interdisciplinary creations, including Randall Woolf’s breathtaking “Everything is Green” and Arvo Pärt’s equally exquisite “Spiegel im Spiegel,” with whimsical repertoire for the clarinet, cello, and piano trio combination by Ludwig von Beethoven and Vivian Fung.

Program

LUDWIG VAN BEETHOVEN: Trio in B-flat Major, Op. 11
ARVO PÄRT: Spiegel im Spiegel
RANDY WOOLF: Everything is Green
VIVIAN FUNG: The Billy Collins Suite

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Rhythm; one of the most basic and compelling attributes of music.

Curated by Kevin Rogers, every piece on this program has some blend of the most difficult, challenging, and delightful rhythmic play inside of it. From Thomas Adés’s brilliant use of irrational time signatures (you read that right!) to the high octane music of Trevor Weston that Friction Quartet cuts it's teeth on. Also featured is the imaginative music of Vivian Fung, merging machinary and biology, and a series of arrangements of tunes written by Tigran Hamasyan, one of the greatest Jazz pianists alive today.

Come see the full breadth of rhythmic expression and experience some Hard Times!

Program:

Thomas Adès - Four Quarters 
i - Nightfalls
ii - Morning Dew
iii - Days
iv - The Twenty-fifth Hour
Trevor Weston - Fudo Myoo
Vivian Fung - String Quartet no. 4 “Insects and Machines”
Tigran Hamasyan arr. Kevin Rogers -
Song for Melan and Rafik
Vortex

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Rhythm; one of the most basic and compelling attributes of music.

Curated by Kevin Rogers, every piece on this program has some blend of the most difficult, challenging, and delightful rhythmic play inside of it. From Thomas Adés’s brilliant use of irrational time signatures (you read that right!) to the high octane music of Trevor Weston that Friction Quartet cuts it's teeth on. Also featured is the imaginative music of Vivian Fung, merging machinary and biology, and a series of arrangements of tunes written by Tigran Hamasyan, one of the greatest Jazz pianists alive today.

Come see the full breadth of rhythmic expression and experience some Hard Times!

Program:

Thomas Adès - Four Quarters 
i - Nightfalls
ii - Morning Dew
iii - Days
iv - The Twenty-fifth Hour
Trevor Weston - Fudo Myoo
Vivian Fung - String Quartet no. 4 “Insects and Machines”
Tigran Hamasyan arr. Kevin Rogers -
Song for Melan and Rafik
Vortex

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Join us as ROCO’s Connections Series returns to Asia Society Texas Center on March 29th, and enjoy an evening spotlighting music by Asian artists and composers, exploring the experiences of Vietnamese immigrants.

Tenor Nicholas Phan features in the world premiere of Season 20 Composer-In-Residence Viet Cuong’s song cycle, telling the story of his family’s escape from Saigon, plus Vivian Fung’s elegaic Lamenting Earth, complimented by Viet Cuong’s driving septet Pulse Train.

Emmy Award-winning composer and traditional musician Vân-Ánh Vanessa Võ joins, performing on instruments such as the đàn bầu (Vietnamese monochord), 16-string đàn tranh (zither), đàn t’rung (bamboo xylophone), and trống (traditional drums), creating music that blends the wonderfully unique sounds of Vietnamese instruments with other genres, fusing deeply rooted musical traditions with fresh new structures.

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Guest artist and co-curator, Andy Lin

6:30pm: Pre-Concert Chat
7:00PM: Pre-Concert Performance
7:30pm: Concert

Program

Roydon Tse – Blues n' Grooves (erhu & piano)
夜來香/Fragrance of the Night (erhu & piano)
賽馬/Horse Racing (erhu & piano)
Vivian Fung – Humanoid (cello & electronics), performed by Beth Root Sandvoss
Shih-Hui Chen – flashback moments (erhu & piano trio)

[INTERMISSION]

Vincent Ho – Busker Suite (violin)
Vincent Ou Yang – <New work for trio>
Bright Sheng – Clearwater Rhapsody (erhu & piano trio)

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Sinfonia 3: Turbulance

Prepare for an evening of intense musical drama with the Newfoundland Symphony Orchestra's Sinfonia 3: Turbulence. Join us on Saturday, March 29, 2025, at 8pm at the D.F. Cook Recital Hall, MUN School of Music, with conductor Julian Pellicano.

The concert opens with Christoph Willibald Gluck's electrifying Dance of the Furies from Don Juan and Orfeo ed Euridice. Next, experience the profound emotional depth of Franz Joseph Haydn's Symphony No. 49, also known as "La Passione." The program continues with Vivian Fung's Baroque Melting, a contemporary work creating a unique and captivating soundscape. The evening reaches its climax with Luigi Boccherini's Symphony No. 6, op. 12 "La Casa del diavolo" (The House of the Devil).

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Season 13: Intimate Voices

An intimate concert featuring solo and chamber repertoire. Experience the magic of new music in a closer, more personal setting with a select roster of a dozen Choral Artists. Featuring new vocal works by Vivian Fung, Che Buford, Joe Jaxson, Christopher Cerrone, and more.

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Sinfonia 4: Postcards from Spain

Embark on a musical journey to the vibrant landscapes of Spain with the Newfoundland Symphony Orchestra's Sinfonia 4: Postcards from Spain. Join us on Saturday, May 3, 2025, at 8pm at the D.F. Cook Recital Hall, MUN School of Music, with conductor Dina Gilbert.

The concert begins with Pizzicato by contemporary composer Vivian Fung. Next, immerse yourself in the ethereal beauty of Postcards from the Sky by Marjan Mozetich. The program continues with Nino Rota's Concerto for String Orchestra, a work known for its rich textures and dynamic contrasts, showcasing the strings in a vibrant and expressive performance. The evening culminates with Rodion Shchedrin's Carmen Suite, a brilliant reimagining of Bizet's opera.

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PATHÉTIQUE WITH GEMMA NEW

If there is one piece that has internalized the season's theme of "transgression" to the core, then it is Tchaikovsky's "Symphonie Pathétique". Lament and sadness are unmistakable in the first movement, and even the beautiful, tender second movement tells of unfulfilled happiness: as a waltz in the "wrong" 5/4 time, it perhaps symbolizes the pain of a social outsider who remained Tchaikovsky (as a cosmopolitan in Russia, as a Russian abroad, as a homosexual in bourgeois society) despite all his successes. Does the triumphant third movement even convey disgust at these successes? At the latest in the slow final movement, entitled "Adagio lamentoso", a feeling breaks through that we can probably all identify with at certain times: the irreconcilable lament about transience. The young New Zealand conductor Gemma New combines Tchaikovsky with two contemporary works: a concerto that Efraín Oscher wrote for the soloist Edicson Ruiz on his highly virtuoso double bass, which combines neo-baroque verve with Latin American rhythms. The orchestral piece "Baroque Melting" by the Canadian composer Vivian Fung also begins in a very baroque manner, only to soon (as the title suggests) "melt" in a variety of ways. Musical "transgression" has never been a greater pleasure! A pleasure that ultimately touches and invites reflection.

Program:
Vivian Fung, Baroque Melting for harpsichord and string orchestra
Efraín Oscher, Barroqueana Venezolana No. 4 for double bass and orchestra
Pyotr Ilyich Tchaikovsky, Symphony No. 6 in B minor, op. 74 “Pathétique”

Details and tickets>>>

PATHÉTIQUE WITH GEMMA NEW

If there is one piece that has internalized the season's theme of "transgression" to the core, then it is Tchaikovsky's "Symphonie Pathétique". Lament and sadness are unmistakable in the first movement, and even the beautiful, tender second movement tells of unfulfilled happiness: as a waltz in the "wrong" 5/4 time, it perhaps symbolizes the pain of a social outsider who remained Tchaikovsky (as a cosmopolitan in Russia, as a Russian abroad, as a homosexual in bourgeois society) despite all his successes. Does the triumphant third movement even convey disgust at these successes? At the latest in the slow final movement, entitled "Adagio lamentoso", a feeling breaks through that we can probably all identify with at certain times: the irreconcilable lament about transience. The young New Zealand conductor Gemma New combines Tchaikovsky with two contemporary works: a concerto that Efraín Oscher wrote for the soloist Edicson Ruiz on his highly virtuoso double bass, which combines neo-baroque verve with Latin American rhythms. The orchestral piece "Baroque Melting" by the Canadian composer Vivian Fung also begins in a very baroque manner, only to soon (as the title suggests) "melt" in a variety of ways. Musical "transgression" has never been a greater pleasure! A pleasure that ultimately touches and invites reflection.

Program:
Vivian Fung, Baroque Melting for harpsichord and string orchestra
Efraín Oscher, Barroqueana Venezolana No. 4 for double bass and orchestra
Pyotr Ilyich Tchaikovsky, Symphony No. 6 in B minor, op. 74 “Pathétique”

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Jacquot & Midori

Marie Jacquot, conductor
Midori, violin
Deutsches Symphonie-Orchester Berlin

Program:
Vivian Fung, Earworms
Antonin Dvorak, Violin Concerto in A minor
Amy Beach, Gaelic Symphony in E minor

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